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The Science of Design

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The Science of Design


Art and science are not so difficult to associate with one another since there is so much technology involved in creating art. But the marriage between art and science is about more than just the creation, it’s about inspiration meeting functionality. Artists have been taking queues from science for years. Art consistently meets science in the techno-colored photographs taken of the universe as it expands. It can be found in the way that cells, micro organisms and ice crystals form the most precise yet masterfully chaotic of patterns. A certain aesthetic beauty can even be found in the MRI of a human brain.

Model of Human Heart formed from MRI Images.

Model of Human Heart formed from MRI Images.

Recently, science has found compatibility within the textile industry. The University of the Arts in London and a few Nobel Prize winning scientists and research fellows from Central Saint Martins College have combined forces in order to form Nobel Textiles. Each artist has been paired up with a scientist for inspiration and will put their work on display at London’s Design Festival on 14-21 September 2008.

Nobel Textiles

Nobel Textiles

This is a truly unique event. Five textile designers and five scientists have been formally paired up, neither one really knowing much about the other. The result is some of the most innovative and functional textiles that have been created in a long time. A few of the artists-scientist couples include:

Rachel Wingfield is introducing “Metabolic Media.” She takes her inspiration from studies in ATP energy conversion done by John E. Walker, and more recent work done in the areas of architecture, agriculture, sensor technologies and geotextiles. Using lace and weaving techniques, she hopes to create small structures from all new composite materials that will enable and promote urban gardening. Examples will include specially designed stakes for plants to grow along and even small collapsible greenhouses which can save space, protect plants and enable gardens to grow virtually anywhere.

Rachel Wingfield's "Metabolic Media" inspired by John E. Walker

Rachel Wingfield's "Metabolic Media" inspired by John E. Walker

Rachel Kelly inspired by Tim Hunt’s “Now You See It – Now You Don’t” report delves into how Cyclin B appears and then disappears leaving a memory imprint on the DNA of cells. He made this discovery through the study of sea urchin eggs. Rachel is focusing on a unbounded circular theme. She will be using new specialized drawing and printing techniques on a medium of paper lanterns and transparent wallpaper.

Rachel Kelly inspired by Tim Hunt.

Rachel Kelly inspired by Tim Hunt.

Philippa Brock’s work is motivated by Sir Aaron Klug’s research on viruses. Klug discovered that a three-dimensional virus model could be created based on information obtained by studying two-dimensional viruses. Philippa Brock has been experimenting with the creation of three-dimensional textile structures by folding and weaving two-dimensional pieces upon themselves.

Philippa Brock inspired by Sir Aaron Klug.

Philippa Brock inspired by Sir Aaron Klug.

Kristin Von Glasow has created a documentary on the scientist-designer collaborations which can be viewed from the Nobel Textiles website. The festival will be held at the ICA and Saint James’ Park.

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Dmitry Maksimov’s Creative Illustration

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Dmitry Maksimov’s Creative Illustration


Looking through the inspiration section on del.icio.us, I came upon this great livejournal, showcasing the work of Russian artist Dmitry Maksimov.

His art evokes the spirit of Japanese toy design, implanting its imaginary creatures into a surreal context, using photoshopped photographs that retain enough reality to be off-putting and familiar at once.


The other reason this evoked a Japanese aesthetic for me is Maksimov’s usage of tilt-shift effects, which mimic miniature photography on a grand scale. He’s just taken it one step further, and actually inserted his own “miniatures” into the landscapes. The double-take we all did when we first saw those amazing Japanese tilt-shift photos is carried to its logical end here.


It immediately made me think of what a live-action Hayao Miyazaki film would be like, marrying his blob-like designs with realistic backgrounds. Although a large part of Miyazaki’s charm comes from the fully animated realization of his world, it made me wonder how well his aesthetic could translate into a live action feature.


Imagine Studio Ghibli and Pixar teaming up to create an animated feature with near photo-realistic backgrounds and a perfect CG integration of Miyazaki’s patented style. Disastrous or wonderful? Would their two approaches be compatible? Pixar’s debt to Miyazaki’s storytelling chops is well-documented, but I wonder if each studio’s visuals could ever be brought together. Maybe one day.

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The Art of Coffee


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