PROBLEM: WALLETS CAN BE CHEAP AND ANONYMOUS.

For me, wallets have always been about function over form. I have to take my wallet out of its resting place so many separate times in a day, that it’s got to hold everything perfectly and just plain work. Most wallets do this, to a degree—but do they do it for long?

Not really. If you’re the type that can’t buy an expensive wallet because you know you’ll be sitting on it, and moving your rear end in and out of various chairs all day, visiting god knows what sorts of stresses and strains on this little leather thing that contains much of your life—you know what a disintegrating wallet looks like. Leather that no longer seems leather, mysterious pockets that weren’t there a few weeks ago suddenly appearing as the material becomes shredded, torn; you’re likely destined to go through a ton of wallets in your lifetime.

PROBLEM: THEY CAN ALSO BE OVERPRICED AND EXCLUSIVE.

Or are you the cardinal opposite, the wallet connoisseur? Have you always splashed out for a top quality purchase, genuine, beautiful leather, something you can be proud of every time you pull it out of your pocket? If so, you’ve probably paid a damn lot for these things, and either way, used them into oblivion.

PROBLEM: WALLETS AREN’T SO INTERESTING.

While there are a ton of wallets out there, both cheap as all hell and expensive as some other, richer part of hell, most wallets follow the same form. A simple fold, wide enough that each side can hold various debit and credit cards, and the entire span will take your money and papers and put a nice crease right in the middle.

If you’re lucky—or not—your wallet might contain a little pocket for change, which, you will know if you routinely use it, changes shape depending on how many little coins you’re carrying around. Not always fun to have poking into one of your two cheeks.

PROBLEM: THE EUROPEAN-STYLE MEN’S BAG ISN’T REALLY A WALLET, EITHER.

So, is there a solution, a way out of this imaginary problem that I’ve sorta created here? Sure, there are plenty: abandon the wallet and use a sort of bag. If you’re in Europe and need to feel safe-in-numbers when it comes to fashion, you’re in luck, as plenty of people carry these around here, and there are tons of good models to choose from. If you can choose a kind of shoulder/purse/bag/pouch well and choose it with style, you’re set. This opens up a whole new world of accessorizing to you.

But what if you can’t really make that leap? What if you just want to get a damn good looking wallet, one that stands out and is strongly designed, but still functions, looks, and seems like the familiar wallet form you’ve been using your whole life? What’s out there?

PROBLEM: WALLETS DON’T LEND THEMSELVES EASILY TO FRESH, CONTEMPORARY DESIGN.

Not much. There are chain wallets, super-thick wallets, super-thin, minimalist wallets, wallets branded with various comic book characters that just don’t put in the effort, but there aren’t that many interesting wallets around. Sure, you might stumble upon a few fantastic specimens here or there, but most likely they’ll be one-offs, some kind of limited edition from a big designer that is so overpriced it’d be a shame to use it as a regular wallet.

And these are few and far between—you’re far more likely to find a $200 t-shirt done by an expensive designer’s hand, or even a designer canvas tote bag than you are to find a kick-ass wallet.

AND SO, A SOLUTION.

As a fun and exciting answer to all of these problems, I present Poketo. Their slogan: Art for your everyday. That’s exactly it, too: they make wallets that you can use as your everyday wallet, but they’re interesting enough that you can pull them out and simply admire them for their design, too.

SEE, WALLETS CAN BE AS NUMEROUS AND EXCHANGEABLE AS PURSES!

Besides just some great design work, in which Poketo have brought together a whole stable of illustrators and artists to do fantastic limited edition wallets, Poketo have also suggested a kind of revolutionary idea in their ‘surprise packs’. That’s the notion that you can have more than one wallet on the go, that the wallet should be enough of a minimalistic venture that you can switch the entire thing over to another one, just like many females cycle through various purses/handbags and their respective contents.

They do this by not giving you the option of fattening up the wallet too much—its design constricts you into eliminating every kind of card and addition you aren’t going to be using on a daily basis. And the great thing is that 10 of these wallets will only set you back $100. Ten wallets!

AND THERE ARE DOZENS OF NEW MODELS COMING OUT ALL THE TIME.

They’re also constantly producing new wallets from new designers, who are doing these designs freelance. This means the art is both recognizable if you follow illustration in any way, and wildly varied and exciting. Their site is overflowing with great designs.

The construction of the wallet itself is what allows Poketo to do this. It’s not a custom-crafted piece of leather, rather just a nice print, inserted into a piece of plastic, and molded into the form of a foldable wallet. Nothing fancy, no heavy custom printing or stitching jobs here. But it gives the company great creative license in the amount of models they can feature. It’s unlikely you’ll ever see wallets as varied as this, even if they all have the same external shell.

LIMITED EDITIONS DON’T NEED TO SIGNIFY RIDICULOUS PRICES.

Thankfully Poketo isn’t really overcharging for their product, but continues to produce limited editions, which is a concept that I absolutely cannot get enough of: the idea that limited editions don’t need to be expensive. They can be limited, sure, and once they’re off the market you can sell them for whatever the hell you want, but as these wallets keep coming out, they’re gonna keep costing $20 and nothing more.

THUS, POKETO IS GOOD.

And there you have it. Wallets that aren’t your father’s fine-crafted leather, but are instead something closer to a great stream of well-designed t-shirts: you change them up infinitely, they keep coming out, they look great, and they don’t cost that much.

Sure, they aren’t the most well-put-together things in the world, but they signify a big change. Now, pulling out your wallet isn’t just fun because you’re gonna spend some money—you get to stare at it, too.

Miniaturization continues unabated, a ream of consumer products getting smaller and shrinking down to previously unthinkable new sizes. Our latest and slightly kind of amazing new example is the projector, that heavy, fan-blowing noisy thing you see hanging from the ceiling of a University classroom or sitting on the desk in a boardroom. Somehow, now, again, without any damn notice, there’s one that fits in your pocket and hooks up to an ipod. What the hell?

It’s the Optoma Pico, which hooks up to iPods, PSPs, Digital Cameras, and the like. If you’re an ad agency on the go and need to fire up a presentation to a client while you’re sitting in a bar, forget both crowding intimately over the screen of your iPhone. Pull this out, hook it up, and amaze everyone with an image on the wall.

The New York Times’s David Pogue, resident technology-for-the-masses guru, had an exclusive look at this device and wrote up a review of it, back on election day.

it produce[s] an astonishingly bright, clear, vivid video or still image. That’s right — from a projector you’ve pulled from your jeans pocket.

The minimum distance for this projector is eight inches from your “screen”; the maximum is 8.5 feet away, at which point you get a 65-inch image. And it really, really helps if you dim the lights or use a properly reflective movie screen.

Even so, the Pico projector is the first of its kind — other micro-projectors are on the way — and over all, it’s awesome. When it goes on sale in two weeks, it will give parents a completely portable backseat-of-the-minivan movie theater for the kids. It will let photographers display their portfolios with much greater size and impact than they’d get with a scrapbook — right from the digital camera, if need be. It will permit spur-of-the-moment demos or pitches for corporate presenters or independent filmmakers, wherever they happen to be, without having to set anything up or reserve a room.

Whether the consumer market will feel an urgent need for a pocket-sized projector is another thing: it’s easy to fall back on excitement and look past the notion of whether or not such a product is actually useful. But I’m sure it is–the very notion of miniaturizing projectors will eventually lead us to that golden, shining moment in the future, the moment wherein we’ll walk up to a touchscreen, press a button, and a tiny beam of light we can barely see will project some kind of spinning image of our dreams, right in front of us. Why is it that all my expectations of future technological direction can be traced back to 3 or 4 movies?

Getting back to the projector, though: it’s the versatility of it all that’s incredible. I think this is a ridiculous moment, overall, for the amount of new technology that is suddenly being crammed down into small spaces. We’ve got a full-fledged HDTV camera with interchangeable, pro-level lenses in the new Canon EOS Mark II 5D, the juggernaut that is the iPhone, a netbook revolution, and 3d Printers that don’t take up a room but rather just some space on your desk. The amount of time between these innovations keeps shrinking exponentially. What seems to be different this time is we’re not looking at leaps and bounds in say, processing speed, but in the physical nature of things: product size, digital imaging, incredibly small but still-usable products.

When the launch of the new Macbooks gets a video detailing the exact industrial design process as a crucial launch component, there’s some kind of new object-design era at hand, no? It’s a fun time to be buying stuff.

Maybe you’ve heard of rapid prototyping machines. Maybe you’ve even seen the new Discovery Channel show called Prototype This!, which makes extensive use of a 3d printer. But is it something commercially accessible to the industrial designer who wants to test out designs at home? Hardly. Look at Discovery’s writeup:

A 3-D printer: Ignore the $45,000-$73,000 price tag and ponder the possibilities. You could use this machine to print relief maps of the ocean floor, prototype products for pitch meetings, model human hearts for research or create architectural models to give construction workers a better visual picture of the design plans. And the best part — it’s all in color.

Amazing stuff, surely, but not everyone has between 45-73k to drop on one. Generally, you need access to a studio or university campus that’s got one on-site and will let you use it. But Desktop Factory is looking to change the entire game with their 125ci 3D Printer.

How are they going to do it? Mainly with the pricetag: $4,995 USD. It weighs less than 40 kilos and sits on a desk. It’s not small, but come on–a prototyping machine you can use in your house, your office, even? This is a pretty giant leap.

Desktop Factory is comparing the size of the machine to “early laser printers”, and Ponoko Blog made the same comparison recently:

When the The Apple LaserWriter first hit the mass market in 1985, the desktop publishing revolution was born. With a starting price of $6995 the unit weighed a hefty 77 lb (35kg) and was 11.5 x 18.5 x 16.2 inches the first desktop printer was not the lightweight, disposable peripheral printers have become today, in every classroom, business and home.

One of the most important segments of this new market is made up of those branding agencies who are getting into product design directly. This crossover was explored in a great article published last month on core77. It’s essential reading for anyone curious about some of the future directions in branding and advertising.

Let’s say you’re a graphic designer. Sooner than you expect, you’re probably going to be finalizing some part of a new campaign in Illustrator, printing out proofs and all the other things you do, while the designer at the desk next to you will have SolidWorks open and an entry-level 3D Printer on his desk, pumping out prototypes of that very product you’re busy advertising. Something very different is just beginning.

In related news, check out this “10 Things 3D Printers Can Do Now” from Wired.